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Between Ikon and Eidos: Image and Hermeneutics in Meditation (Part 1) - (The Mirrored Gates) 13 mentions

• i want to point out what i alluded to i think in eros unfetter talks the epistemicide
• it either directly or indirectly is the absence of the concept of eros and soul making concepts of euros and soulmaking
• just even if you just consider the concept of eros um and and the absence of that concept
• it will lead also to because of the way eros will stimulate the aero psychologos dynamic the soulmaking dynamic and that
• um the absence of eros will also lead to a kind of rigidification and a narrowing a
• there isn't because of the absence of eros there isn't the possibility for the aero psychologus dynamic to really get
• absence of the concept of eros comes from
• um for me it's uh if we don't have the idea of eros then we actually don't have an adequate
• both what's actually without the concept of eros and soul soulmaking we don't have
• is already driving us someone who loves practice is already in got eros and and soulmaking involved in that love in
• devotion um there is eros and a sense of selffulness and soulmaking in the ways
• there that so that we don't then with the absence of the concepts of eros the ideas of eros and so we don't actually
• the absence of the concepts of eros the ideas of eros and so we don't actually have an adequate sort of i don't think

An Ecology of Love (Part 1 - Introduction) - (An Ecology of Love) 12 mentions

• includes meta that's one kind of love and also what i'm going to call eros eros from the greek greek word
• and also what i'm going to call eros eros from the greek greek word um now eros is not simple matter is
• eros from the greek greek word um now eros is not simple matter is simple i'm not saying matter is easy
• euros is not simple eros is also undefinable i would say ultimately speaking
• ultimately speaking um eros was a god or a kind of god in in in greek mythology
• takes us in this whole investigation um so by eros i i certainly include um within eros this sexual and sexuality
• um so by eros i i certainly include um within eros this sexual and sexuality and sexual desire and sexual feeling and
• definition if it will sound like it's eros as the desire to connect you may need to
• at the knowing of their particularities so let's start with this eros is a desire to connect
• amplifier a little bit more so included in love are both meta and eros and they're different different
• yeah level streams kinds of love now both meta and eros uh will always involve
• the view of both self and other both meta and eros always involve the view of self and other it's intrinsic to

Sensing with Soul (Part 4) - (The Mirrored Gates) 12 mentions

• we're pulled to and that we want to move into and connect with when there's eros so this bowl or oyster shower or
• gold and shining brilliance luster related to eros related to lust related to the eros in the way that we're using
• related to eros related to lust related to the eros in the way that we're using it eros are something that will make
• to the eros in the way that we're using it eros are something that will make sacred that will create and discover
• discovering treasure and gold lust in the sense of eros in the way that we've been talking about
• sensors we've went through all this in the eros unfetid retreat the sensors as many are problematic area for us to
• to expressing the body once devotion to eros and devotion to the mystery of desire even if one didn't actually
• um heartfulness here love um eros but perhaps in in our sense not sexual remembrance it eros's and much
• um eros but perhaps in in our sense not sexual remembrance it eros's and much bigger sense than that of everything
• that brings perhaps devotion um it's going to be there eros devotion love harshness for any beloved
• to be there a sense of some kind of sense of devotion love eros in our sense harmfulness etc
• but for now notice how uh as we pointed out a lot in the eros unfetter talks um self and world as well as other are

Dharma(s) Discovered and Created (Part 1) - (Four Circles, Four Parables of Stone and Light) 12 mentions

• the elements of the imaginal filled out with beauty and dimensionality and eros etc
• of uh and care about and kind of uh fantasy of an eros for for tradition and and everything that's implied in there
• devoted there's image around there's eros around things are on the verge of on their way to being fully imaginable
• because of all that uh it then it it could become an object for eros it could um contain within its sort of depths and
• become an object of the erotic imaginal one could have eros and it itself becomes an imaginal object the zohar
• it quickly kind of accrue the kind of a trap the kind of eros for the ancient because ancient implies the tradition
• from that tradition becoming imaginal characters for me that i have eros doors that are important to me so because of
• as a as a soil for uh for image four eros but also for the proliferation of of
• based processing which i've touched on before in the eros and threatened talks so that phrase discrepancy based
• with that tradition so much the eros has gone for the tradition and so the fantasy of the
• tradition and so the fantasy of the tradition goes as well because the eros he imagined on the fantasy go together
• that tradition and not really investing it with eros and imaginal perception fantasy perception

Instructions: Opening to the Current of Desire - (Of Hermits and Lovers - The Alchemy of Desire) 12 mentions

• practice to explore and on this retreat specifically we're interested in eros in the imaginal of course that involves all
• the imaginal of course that involves all imaginal practice eros can be it's a very very strong
• obviously sexual to uh very very subtle and not sexual at all but eros is i would say an intrinsic part of the
• would say an intrinsic part of the imaginal and the imaginal involves eros so in this retreat where
• generally that's a part of desire and eros and then uh the last thread so far is
• practice um eros is implicit it's uh intrinsically woven in when something is
• imaginal when something or other comes alive to us imaginary there is eros involved
• involved where there is eros if it's left to do its thing if we don't if it's not
• blocked in some way it will open up the imaginal so the imaginal and eros kind of go together
• more with the energy of desire okay so when there's eros we it image is implicit and we tend to working in the
• what's common to these two practices the imaginal eros and the opening to the current of desire is that they both
• actually in both cases trusting desire and trusting eros so we're not letting go as in the

The Phoenix of Metaphysics (Part 2) - (Four Circles, Four Parables of Stone and Light) 11 mentions

• intuition and that um eros really for beauty for elegance for that kind of
• integration and innovation there there's a soul calling there's there's the eros of the soul for that beauty
• in that way also now i did in our soul making includes both this love and eros and attraction that we can have towards
• whole soulmaking dynamic as the eros with regard to our perceptions is allowed to infuse and
• to experience the divinity of our own eros of our own psyche of the ideas that move in our mind of what we see
• it does potentially to that passion to that eros for with regard to ontology epistemology
• that there can still be a kind of open-ended eros and inquiry um
• our peaceful contemplation of these things can be filled with eros and passion
• in the face of no cheap answers but but perhaps this open-ended eros and inquiry is possible for us
• mind openness of heart and soul it needs our eros it needs our participation we need to participate in in this whole
• i've said i'm in this talk and previous talks it maybe there are eros inquiry into truth and reality may not actually

Destiny, Autonomy, Love, and Soul (Q & A) - (Tending the Holy Fire) 11 mentions

• to engage this image i'm not going to follow this eros i'm not going to listen to that calling or i am yeah so there's
• heavy it's a heavy machinery you know a lot of it's unconscious but eros is something that can flicker up very
• its own affect its own love its own eros it desires you yeah so there's
• to it and and in in feels like here arises my eros might there's something i'm drawn to this image or i want to
• um you understand that that's what we could call eros if the logos decides that well an image
• starts to come alive really through through this kind of dynamic of eros which is is looking for more eros is
• through this kind of dynamic of eros which is is looking for more eros is always looking for more not in a
• personhood there the fullness that there is eros there there's love there's intelligence there's a kind of knowing
• multi-asspect and then because of that there's more for eros to fall in love with and it's more and there's a sense
• i can only dimly and that attracts the euros even more so the eros kind of uh wants more things expand more and more
• caught up in the soulmaking dynamics self other sense of world sense of eros itself all of it becomes is is given

Clinging, Craving, Eros (Q & A) - (Of Hermits and Lovers - The Alchemy of Desire) 11 mentions

• desire okay along with era so you've got three kinds eros craving cleaning at least
• so it's really um uh desire eros is a kind of clingy in fact and
• really the distinction is between craving and eros so so the distinction i would make is one of the distinctions i
• involved where's eros which which wasn't in your question tends to open things out it
• yeah it's the road to which craving and eros is are the extremes you could look at it that way yeah very nice yeah so
• dukka making way eros and soulmaking is the kind of fabrication let's say in a poetic way in
• time but as you begin to discern more the difference you uh eros can slip into craving without us sometimes even
• realizing what's happened you know craving can be transformed into eros into something more open more more
• um then the eros has something to move into and then it can do this era psychologist
• mentioned before that has a tendency to someone dampen the eros sometimes when they're they're subjective poll somewhat
• not so much of the tunas um there isn't so much of the eros um and

Sila and Soul (Part 4) - (Four Circles, Four Parables of Stone and Light) 11 mentions

• that was exactly going on there and there was eros in relationship too and dimensionality so you can see how
• many of the elements in the imaginal trust beauty eros dimensionality we're talking about something we could say
• values can be so eros without any dimensionality allowed what what happens there
• we've talked about that before about if eros is not allowed to is not allowed dimension it has to go horizontal
• which is a kind of celebration of love and eros etc but how often does it have that real
• peace dynamism individuality sexual pleasure love eros determination they all are kind of
• just like imaginal images and with all that there comes the eros beyondness of them the dimensionality
• shading into divinity it cools our eros our eros also will reciprocally create more of that beyond
• there's a lot here that's related to the movement of eros and eros remember what always create more beyond the angel is
• now there are all kinds of implications here so very much to do with eros and soulmaking of course but just to touch
• is necessary if they are to remain always erotic objects for us so eros needs this beyond us it needs something

"Until All is Liquid" (Emptiness and Sensing with Soul) - (Four Circles, Four Parables of Stone... 11 mentions

• dukkha with respect to um a self-sense with respect to eros and the sense of eros it needs to retain
• um a self-sense with respect to eros and the sense of eros it needs to retain some form of emotion image self-ear us
• thinks they should then there isn't the eros there isn't the juice there isn't the libido and the lubrication and the
• and of course some people have a real eros a real um
• enjoy it and there's just a desire and eros to to want more so that's a kind of ideal
• now again in regard to um the eros that might be involved in such an exploration
• um the heart's desire based on knowing knowing itself means the the eros based on knowing emptiness and the
• unfabricated if we just translate terms the eros based on knowing emptiness and unfabricated that eros as being eros it
• the eros based on knowing emptiness and unfabricated that eros as being eros it will if it's allowed to do what it does
• of emptiness and the unfabricated um that that eros does something um based based also on the experience of
• unfabricating and the love of that to the eros for that and what it can open up it has parallels