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A Sacred Universe: Insight, Theophany, Cosmopoesis (Part 5) - (Path of the Imaginal) 11 mentions

• now um in teaching dharma giving dharma talks or writing about dharma
• um in teaching dharma giving dharma talks or writing about dharma um
• responsible to the students i'm responsible to the dharma and all of that and so that puts quite a lot of
• i feel um because of the whole dharma ethos so to speak
• manifest or express when i'm giving a dharma talk is actually pretty it's very limited
• um and and what can happen in in in the dharma hall at guy house or another retreat center or whatever the whole
• there's quite a lot of intensity and um uh in in some dharma talks and some um writings etc but it's still
• um restricted range of of the ethos here and in the dharma world so if you like the the permission of the
• so if you like the the permission of the stage as a dharma teacher when i sit at the front and give a talk or whatever it
• it is now the actuality of my life now here as a dharma teacher etc and doing what i do and all the different stuff i
• than improvising um uh just our improvised dharma talks and you improvise and interviews and all

Nirvana and Transcendence - (Tuesday Evening Talks, Sharpham) 11 mentions

• and where he was going and he said to set rolling the wheel of the dharma i go to the city of cassie
• really void but the realm of the real dharma this real dharma this real nature is
• dharma this real dharma this real nature is without beginnings are very similar
• living at this time involved in the dharma it's actually a huge huge issue it's a huge issue how are we going to
• doing a disservice both to ourselves at a very deep level but also to the dharma and we have to find a way together in
• i want to go into some of it there's actually when we teach the dharma when we talk about the dharma the range of
• actually when we teach the dharma when we talk about the dharma the range of possibility of what's possible to
• and as i said it would be a disservice to the whole dharma if it was before we might use other language i want to be
• so everything's in permanent anyone who's just opened a book on dharma you know is this is aware of it most people
• point of life so we talk a lot in the dharma about intimacy intimacy with life and opening
• artesia one of the great great teachers who took the dharma to tibet said at a certain point it's actually

Sensing with Soul (Part 1) - (The Mirrored Gates) 11 mentions

• um and you'll know that the classical buddha dharma counts the mind uh whether it's thinking or imagining or
• um i think it was in the talk image mythos dharma in the first part of that talk
• of um teachings of bear attention that used to be quite common in the dharma world at least
• um so and then within buddha dharma you can also see how that word means really
• um and it's fine you know according to buddha dharma if there's a certain level of mindfulness just a basic level of
• mindfulness that's focused through some or other lens of a dharma concept so for example
• um sense contact looked at through the the dharma lens of the um sixth sense spheres
• words focus narrowly according to this dharma lens there's a second way and and that has the effect the skill in that is
• so even the idea of bear attention as a sort of dharma concept becomes a dharma lens
• of life is actually embedded in buddha dharma and the centrality of the four noble truths which concern themselves
• thank you for listening to learn how you can support the teachers and dharma seed please visit dharmaseed.org

Opening the Sense of the Energy Body - (Four Circles, Four Parables of Stone and Light) 11 mentions

• um sensing the soul to imaginal practice and the whole soulmaking dharma um but for some people some of them
• not an experience that they're used to many dharma practitioners as well it says for some people that will be one
• um so you can see for example sometimes a person has been practicing dharma for 30 years but they've never really
• um is that also the kind of dharma that one might gravitate towards
• determine to some extent will contribute to determining what kind of dharma one gravitates towards
• and and so that one is less drawn to a dharma for instance like soulmaking dharma that tends to talk uh in
• dharma for instance like soulmaking dharma that tends to talk uh in religious terms and soul terms and
• and that's not to say uh that any one dharma direction is better or worse um uh so we really don't just that's
• just a completely irrelevant thing to to try and measure soulmaking dharma better than this dharma or mahasi or
• try and measure soulmaking dharma better than this dharma or mahasi or just it's just not interested but there
• thank you for listening to learn how you can support the teachers and to dharma seed please visit dharmaseed.org

Pain, as Void and as Sacrament - (In Psyche's Orchard) 11 mentions

• about directing matter to phenomena to dharmas um
• oftentimes our understanding of buddha dharma is that vedana is just a given it's just what it is this is what we're
• i think it's in that talk um two-part talk approaching the dharma i think it's called other other places
• uh dharma practice in the sort of uh any dharma practice
• dharma practice in the sort of uh any dharma practice should
• or could then or whatever it is any dharma practice should bring about a reduction of pain
• or if one is or if one can't help including any attention for any dharma practice should bring a reduction in
• pain to some degree why because any dharma practice all dharma practices even practices like meta or whatever are
• get fabricated less any dharma practice should bring a reduction in pain right now not because
• so all this of course is related uh in dharma what i said about that uh to what i said about that that middle middle
• what's important um in our dharma practice because you have to decide that what's important for

Logoi and Leanings - (Four Circles, Four Parables of Stone and Light) 10 mentions

• etc etc so that a person engaged in soul making dharma and soulmaking practice is actually moving between different
• or some people some practices some traditions in buddha dharma teach is always with a microscopic attention
• like for example um the soulmaking dharma is a whole conceptual framework or
• lie in the past for a dharma practitioner as i see it it's really really important
• um rather you know can't she had been a long time in the dharma innocent tradition and
• experiences of images was was actually a much more typical dharma conceptual framework for example everything's
• typical um dharma concept or see if you're a typical dharma conceptual frameworks
• um dharma concept or see if you're a typical dharma conceptual frameworks about whatever it was impermanence etc
• that have kind of secular existentialist dharma um together with modernist views about
• thank you for listening to learn how you can support the teachers and dharma seed please visit

Exploring the Relationship with Practice - (Meditation on Emptiness) 10 mentions

• that's actually something realistic that's like so again dharma scenes are tend to be one way or another insight
• so sometimes that's my tendency in the dharma setting is actually to rush through to be impatient
• or readings or you're listening to a dharma talk on cd or tape or whatever and we hear something we hear the
• entertain questions regarding this dharma this teaching of emptiness even entertaining a question about it tears
• so some stuff in the dharma is really really deep really really subtle and really
• know and probably most of you have listened to many many dharma talks in your life
• um we kind of like it when a dharma talk says something that we already know
• on monday is a very very popular practice at the moment in the dharma world in all kinds of different
• that's really really crucial love of the dharma love of practice love of teachings
• thank you for listening to learn how you can support the teachers and dharma seed please visit dharmaseed.org

Healing the Imagination (Q & A) - (Re-enchanting the Cosmos: The Poetry of Perception) 10 mentions

• that are really quite prevalent across much modern dharma that we want uh they're quite they tend
• right from the beginning it's it's uh we can teach the dharma and explain the dharma in those terms of
• it's it's uh we can teach the dharma and explain the dharma in those terms of emptiness it's not necessarily an
• going to go into it again but this is a very different approach to dharma um through ways of looking and and the
• and and it can embrace it can hold anything in the dharma any teaching generosity matter whatever ethics it can
• solitude or self-sufficiency again there is a tendency in the dharma to um view
• dominated by that but it also includes dharma and buddhist cultures so how often we are um we have a conformity to
• desire suspicion of passion suspicion of eros and it kind of imbues dharma culture and affects very much how we
• integral to the possibilities of to dharma possibilities and and as far as we're concerned it's an element we are
• deliberate we miss huge huge potential um in practice and what the dharma can be

The Art of Perception - (Re-enchanting the Cosmos: The Poetry of Perception) 10 mentions

• that are really quite prevalent across much modern dharma that we want uh they're quite they tend
• right from the beginning it's it's uh we can teach the dharma and explain the dharma in those terms of
• it's it's uh we can teach the dharma and explain the dharma in those terms of emptiness it's not necessarily an
• going to go into it again but this is a very different approach to dharma um through ways of looking and and the
• and and it can embrace it can hold anything in the dharma any teaching generosity matter whatever ethics it can
• solitude or self-sufficiency again there is a tendency in the dharma to um view
• dominated by that but it also includes dharma and buddhist cultures so how often we are um we have a conformity to
• desire suspicion of passion suspicion of eros and it kind of imbues dharma culture and affects very much how we
• integral to the possibilities of to dharma possibilities and and as far as we're concerned it's an element we are
• deliberate we miss huge huge potential um in practice and what the dharma can be

Between Ikon and Eidos: Image and Hermeneutics in Meditation (Part 6 - Amitabha Buddha) - (The... 10 mentions

• um or it could be you know a really deep understanding of emptiness the dharma kaya as the non-dual buddha's gnosis
• what's going on now uh if you stay around the dharma long enough there's and as a teacher i know there's all
• sphere or dimension or world region so the dharma dimension or or something like that in the first turning of the
• like that in the first turning of the wheel if you like what the dharma datu might refer to is the uh when it's used
• but it seems to take on more of the meaning the dharma datu is is the um the is the emptiness of inherent
• the inherent existence of things uh of dharmas and um that's meaning in
• perceptions uh as the um as the interpretation of dharma thatu is unfabricated
• but it's the it's the appearances that are empty it's the it's this the dharma data is the world of emptiness and
• um it seems one of the meanings that it can sometimes mean by dharma datu is the buddha realms is the pure lands and so
• or the paradise as this dharma datu as this holy land