What is this?

Eros Unfettered (Part 1) - (Eros Unfettered - Opening the Dharma of Desire) 9 mentions

• um who work with this kind of material or imaginal practice um would uh wonder i do wonder uh you
• heroes um in imaginal practice or imaginal retreats you know wonder why is that
• um another thing is on these uh in imaginal practice and the way we've set it up
• this sexual imagery even more in in the imaginal practice and when a person devotes themselves themselves to to this
• um we'll look at it take our time and look at it both in imaginal practice and in and in life and with different kinds
• so if we start with um so-called purely intra-psychic imaginal practice um actually i don't know if we start
• um actually i don't know if we start with imaginal practice um you can see that the eros is and as i
• and and all of that that we've described in in what we consider imaginal practice how we're defining it
• um so we've been through all this anyway in regard to imaginal practice but remember that in relation to the

Dilemmas and Delineations: How did we get here?! (Part 1) - (Eros Unfettered - Opening the Dharma... 9 mentions

• expansion of what i've been calling imaginal practice related to tantric practice but different
• that's part of the context through imaginal practice on this retreat um
• potential um both in imaginal practice what we've been calling imaginal practice and but
• um both in imaginal practice what we've been calling imaginal practice and but also uh in in the path and for the path
• um imaginal sensibility imaginal practice um the uh
• yes we really touched on the the the the the possibilities of imaginal practice and also on working with the energy of
• talked about over the last few years imaginal practice soulmaking cosmopoasis this re-enchantment of the
• excuse me what allows us to open up teachings of imaginal practice and if you like tantric teachings although i
• and as i mentioned there's other possibilities through imaginal practice of and through the understanding of eros

Soulmaking Dyad Practice - (Four Circles, Four Parables of Stone and Light) 8 mentions

• performs a basis for soulmaking for imaginal practice for sensing the soul
• preliminary in a way to soulmaking and to imaginal practice in diet the other thing that we put out and i
• maybe there are some prerequisites for this whole endeavor of imaginal practice and sensing of soul and soulmaking
• way they're just not quite ready for imaginal practice really really
• and not be in such a hurry to go into imaginal practice so balance of attention is not necessary
• soulmaking diet so important for imaginal practice so there's this possibility of pitching
• awareness and bringing again same as we do in imaginal practice inhabiting filling out that whole region that whole
• change in practice right now um just as an imaginal practice i decide to introduce

The Invitation of Otherness (Autonomy, Eros, and Intentionality) - (Four Circles, Four Parables... 8 mentions

• an integral and important aspect of imaginal practices that the self retains a sense of autonomy we're not being
• talk about eros and sexuality when you talk about imaginal practice i want to use imaginal practice to
• talk about imaginal practice i want to use imaginal practice to reinvigorate and resurrect my sexuality
• and that's what i want to do that's what i want to use imaginal practice to heal my ear or some sexuality
• they're not approaching the soulmaking practice and imaginal practice with with the primary full intention of soul
• person like that is they they're approaching the whole imaginal practice and they're trying to do it that way an
• had she had worked with image and so fallen in love with imaginal practice and soulmaking diamond had so much
• and so i write at the beginning of teaching imaginal practice to stress this thing what what do you want from me

Opening the Sense of the Energy Body - (Four Circles, Four Parables of Stone and Light) 7 mentions

• of sensing the soul of imaginal practice and
• different strands of the weave of imaginal practice sensing assault um
• emptiness contemplating vadana meta imaginal practice whatever it is ethics you know
• um what as i said about the whole skill and art of imaginal practice so see what's useful is different kinds of
• and um and imaginal practice and sensing the soul
• integral to um sensing the soul to imaginal practice and the whole soulmaking dharma
• if we talk about the elements and the art of imaginal practice sometimes um things just shift by themselves and

Opening, Tuning, and Relating to the Imaginal: Instructions (1) - (Path of the Imaginal) 7 mentions

• more of the specifics the nuts and bolts around imaginal practice and instructions about medicine practice
• many so many possibilities regarding imaginal practice in terms of the ways of approaching the attitudes
• very much a thread and a basis of the imaginal practice why partly because we're limited in time
• too gross and keeps the whole imaginal practice and
• um if you like translate that to the alchemy of imaginal practice what does this mean liquid everything to become
• either the samadhi or the emptiness practices and the imaginal practices and particularly with with a lot of
• more deeper and and subtler end of imaginal practice and i i think uh in in many ways uh one one of the more

Doubt and Discernment (Part 1) - (Eros Unfettered - Opening the Dharma of Desire) 7 mentions

• trace my own sort of process with um not just with imaginal practice but specifically with the uh more obviously
• this so i took it in into meditation and in into the uh imaginal practice and then here she was again i sort of re-
• this is interesting don't judge the value of imaginal practice while you're actually doing it
• so when we talk about imaginal practice and mindfulness of images and that bringing mindfulness to
• to answer that everything that differentiates the imaginal practice from daydreaming and and craving
• that kind of um erotic imaginal practice differentiated from uh you know
• eros is distinguished from craving and imaginal practices distinguish from daydream by by differentiated by what

Opening, Tuning, and Relating to the Imaginal: Instructions (2) - (Path of the Imaginal) 6 mentions

• so i hope that it's obvious that in imaginal practice we're really talking about
• what's included incorporated into that mindfulness in the imaginal practice so for instance
• that were there and in the imaginal practice um i noticed a little bit of a tendency
• again ask ask it lightly a question in the imaginal practice what is the specificity that is
• and as i said this is really important in imaginal practice because this um ongoing sensitivity to the emotional
• important in meditation in general but also in in imaginal practice perhaps uh even more

The Love and Demands of the Imaginal (Part 2) - (Path of the Imaginal) 6 mentions

• approach and conceive of one's practice and imaginal practice and one's whole journey as being not for the self
• then the whole practice with images and imaginal practice and my whole practice my whole life even can be seen for god
• out of sort of demands that come out of imaginal practice they're connected they're not really separate but let's
• one of the demands or invitations of imaginal practice more generally and a second and very related not
• the if you like general demands or invitations uh of imaginal practice and then thirdly can again connected and
• encouragement demand that comes out of imaginal practice to begin to realize to recognize to acknowledge that image

Heat and the Material - (Four Circles, Four Parables of Stone and Light) 6 mentions

• mostly in the context of the imaginal practice and soulmaking and
• for a large portion of imaginal practice and soulmaking practice
• um built well it's not serving a purpose for imaginal practice i might serve all kinds of other
• of um of imaginal practice and soulmaking dharma this britain could have lots of
• emotion in uh imaginal practice soulmaking dharma on the other hand so these kinds
• necessarily of i feel of soulmaking work sensing the soul imaginal practice um so especially when we were talking